Oh man, Bark, there are just so many to list, and I have different categories. I have music from the three you listed. One of the biggest thrills of my career was being involved in the recording of the soundtrack to the movie 'Lincoln,' directed by Spielberg, who was on hand during the music recording process. Daniel Day Lewis was also there during the process. And of course since John Williams wrote the music he led the orchestra. If something didn't quite fit, it would be rewritten overnight, parts produced and distributed the next day and we would record that cue over again. Each piece of music isn't titled, just a digital cue number written across the top. Just an incredible, painstaking process. My souvenir was a piece of music from those sessions with John Williams' autograph. But back to the question, I don't think I have a favorite. When I watch movies, I am always listening and the question I always ask is does the music overshadow, or does it successfully become a character in the film in its own right. Does it translate/enhance the scene, or is it in the way? One of the best examples of music being crucial is 'Pshycho.' That shower scene would not have been all that without the screeching 'stabs' from the violins. (Music by Bernard Hermann who collaborated with Hitchcock on his movies.) And that brings up another tidbit ... some directors form bonds and often work with specific composers ... Spielberg-Williams, Burton-Elfman, Hitchcock-Hermann, Capra-Tiomkin (although that duo 'broke up' after 'It's a Wonderful Life.'), Fellini-Rota. Successful pairings always make me wonder ... did these directors understand that these composers 'made' their movies even more? Did these pairings just have a mutual understanding of each others' minds? And some of these composers work beyond movie music, too. We've performed pieces by Williams, Morricone, Rota, etc, that weren't 'movie music' works. Anyway ...