I thought this would be a pretty fitting subject after all the heated discussions I've been finding all over that magical thing we call the internet. Not that I want to discuss the actual controversy of whether or not the Twins players should all line up during the national anthem; if you want to talk about that, go to the thread called "Do the Minnesota Twins hate America, and do you care?" or PM me to find out what I think (I never did bother to say anything on that thread - which I guess is a pretty good indication of whether I care or not - fine, then, forget the PM). But this post is not going to be the place for such a controversial topic. I'm going to discuss a totally different aspect of the same song, one that I think has been neglected lately. Let's go back in time to 1968. Forget the war, forget all the problems that were going on in America at that time. We're going to talk baseball. Remember that year's World Series? To be honest, it was nearly 30 years before I was born, but we'll ignore that little detail and focus on the fact that a lot of people do remember it. The Tigers were hosting the Cardinals, and José Feliciano, a young Puerto Rican singer who was just coming into his own at the time, was singing the national anthem at the beginning of game 5. He wanted to give a different rendition of the song than anyone else had ever heard before. He wanted everyone to stand up and listen with a newfound respect for the song. Instead, he was booed with great enthusiasm. There was an uproar all across the nation that took him years to live down. However, 42 years later, Feliciano sang The Star-Spangled Banner once more, this time before game 1 of the 2012 NLCS with the Giants hosting the Cardinals. He sang in the same, once infamous style that had shocked the audience of the late '60's, but this time the crowd went wild. What happened? Well, to put it simply, people learned to appreciate his interpretation of The Star-Spangled Banner. In fact, everybody who sings it now tries to come up with their own, unique interpretation of the song; they want it to be different, bolder, and better than the last. But unless you're actually addicted to following the song as closely as you follow the scores, you're not going to notice anything different anymore. Every new rendition of the song sounds the same as the last. So why doesn't somebody do what's different, innovative, and fresh - why doesn't somebody sing a comeback interpretation - meaning, no interpretation at all? In this day in the age of The Star-Spangled Banner, it might be a good thing for somebody to sing our national anthem at its simplest and at its best. Sometimes people just have to realize that there can be grace in the very omission of grace notes. So hopefully someday soon, in the playoffs perhaps, we will see that flag raised high at the twilight's last gleaming, bathed in the artificial lights of Target Field, and the last strains of, "Oh, say, does that star-spangled banner yet wave o'er the land of the free and the home of the brave?" echoing across the field with an ingenious omission of any clever interpretation. Maybe the world would open its ears and notice something truly different this time. Maybe it would kick off the singer's career. Who knows? They say that stranger things have happened.